- The Noise Gate by Podcast Movement
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- šļø Steve Burnsā podcast is full of clues about being human
šļø Steve Burnsā podcast is full of clues about being human
Presented by Cozy Critters
Presented by Cozy Critters
The creative person is willing to live with ambiguity.
šļø Overcoming Summit Fever
Summit fever is that dizzy rush that hits when youāre close to the top, the moment you mistake proximity for arrival.
In podcasting, itās easy to catch. You land a big guest, hit a chart, or get that first sponsor and suddenly start gasping thin air, convinced the climb is over. But creative work isnāt Everest.
Thereās no single flag-plant moment that means youāve made it. The higher you go, the more peaks you see. The view just gets wider, and the weather a little wilder.
The cure for summit fever? Remember that the joy isnāt in reaching the top. Itās in having the lungs to keep climbing.
šļø Signal Flow: Steve Burns
Industry game changers and valiant minds share their wisdom, adversities, and paths to innovation.
Steve Burns is best known as the original host of Blueās Clues, where he spent seven surreal years solving mysteries with a cartoon dog and a talking mailbox. Then he disappeared. On purpose. Since then, Steve has released indie rock albums, toured with The Flaming Lips, written the theme song for Young Sheldon, hosted and was a storyteller for The Moth, and gone massively viral by quietly breaking the internet with a heartfelt message to a generation of now-grown-up viewers. He hosts Alive with Steve Burns from Lemonada Media.
Editorās note: The following interview has been edited for flow and clarity.
I had hermit crabs growing up. And eventually theyād outgrow their shells, crawling across the sand as these horrible, naked, pink, vulnerable little things. Thatās kind of what starting this podcast felt like. Exposed. Out in the open in ways I hadnāt been before. And Iām pretty sure thatās a good sign.
I didnāt really know what to expect going in. I just wanted to make good use of what I saw as this enduring connection I accidentally have with a generation of people who are, frankly, in a mental health crisis.
I wanted to continue the conversation we started 25 years ago on Blueās Clues, but now as adults. Back then, we were leading an examined life together, even if we didnāt know thatās what we were doing. Weād run around with magical condiments and a cartoon dog, looking for clues that might lead us to greater understanding. Then weād sit down, think about what weād learned, and talk it through. That sounds like a podcast to me.
The show feels a lot like that again: sitting down with intention and asking big questions about life, pain, joy, and meaning.
Itās about trying to humanize the digital experience. The internet is optimized for conflict. It rewards outrage, performance, and division. What if we could make space for something else? What if we could show up as human beings with skin in the game ā fragile, weird, funny, loving, angry, anxious, curious ā and be seen that way?
I write all the music for the show. Theyāre not songs. More like moods or meditations. I compose most of it on an old four-track tape recorder because I want the podcast to feel like you can see fingerprints on it, like it was crafted by human hands. Itās full of imperfections, but thatās the point.
The format itself benefits from low production value, the opposite of polish. It should look and sound like something you could make at home. I think if we took even one more step toward high production, it would lose something essential.
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Families everywhere are cozying up with Cozy Critters.
Gentle stories, calming sounds, and lovable characters help kids wind down while learning about animals. One listen and youāll see why itās become a global favorite.
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The podcast also borrows some structural DNA from kidsā TV. There are gentle nods to Blueās Clues with the pacing, the directness, the sense of wonderā¦but spoken to adults. Itās about carrying that childlike curiosity into conversations about death, love, sex, taxes, and cryptocurrency. Itās a way of saying: We can talk about the hard things without losing our joy.
Maybe thatās what weāre ready for now, a more human experience with our screens. Because being online has become a national pastime of being a jerk to each other, and I think weāre tired of it.
When I think about legacy, I donāt really have an answer. I donāt have kids, I used to feel self-conscious about that. When I was helping care for my dad as he was dying, I couldnāt help but wonderā¦whoās going to do that for me someday? That experience makes you reflect on what you leave behind.
I guess Iād like to be remembered for listening. Really listening. Blueās Clues taught me how to do that. It required me to listen to silence, to let it breathe. Silence isnāt empty. The good stuff tends to dwell in the quiet parts.
And maybe thatās what Iām chasing now. A way to bring a little stillness back to the noise.
š§ Podcast of the Week: Radiolab
Radiolab is the gold standard for curiosity-driven storytelling. Each episode cracks open a question about science, philosophy, or the human experience, and answers it with equal parts wonder and sound design wizardry. Itās the kind of show that makes you say ājust one moreā at 2 a.m., and somehow leaves you a little wiser every time.
š„¾ Further Exploration: Video + Interactivity Poised to Shift Podcasting
From branching narratives to hybrid video formats, creators are leaning into new formats to meet audiences where they are.
ICYMI:
š” The Quiet Spark
A weekly question to ignite fresh thinking, stir self-reflection, and fuel your creative process behind the mic.
Where in your work are you still playing it safe?
Enjoying The Noise Gate? Why not share it with a fellow podcaster?
Until next time, have a bold week.
- Doug
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